囡囡

囡囡

HD国语

2.0 |2025年12月12日 |已完结
简介:
暂无
猜你喜欢
换一换
珠峰黑暗
709
4.0
正片
珠峰黑暗
4.0
更新时间:05月16日
主演:Nim Tsiri Sherpa,Pem Futi Sherpa,Thundu Sherpa
简介:

这部视觉效果惊艳的影片以珠穆朗玛峰为背景,却从一个鲜为人知的角度——当地人的视角——展现了山峰的壮丽景象。一位尼泊尔登山者踏上了一段危险的旅程,试图安抚那些要求人们敬畏自然的山神。游客们在珠峰脚下排起长队,攀登这座充满神话色彩的山峰,并向世人讲述自己的壮举。也正因如此,珠峰变成了一座墓地,埋葬着无数遇难登山者的冰冷遗骸。然而,这座世界最高峰的故事还有另一个鲜为人知的侧面:当地人的视角。在尼泊尔和西藏之间的这座巍峨山峰周围,生活着一群拥有独特世界观的当地居民,他们的世界观与西方游客的视角截然不同。这是一个山神的世界,他们要求人们敬畏自然。为了安抚愤怒的山神,尼泊尔著名登山家、民族英雄明玛·齐里·夏尔巴冒着生命危险,最后一次重返珠峰,取回一具遗体,以平息这座神圣山峰的怒火。这次探险之旅令人肾上腺素飙升,足以让任何人产生严重的恐高症——但它的视角却与众不同,比任何其他从这座壮丽山峰拍摄的影片都更加深刻、丰富。这是一部视觉效果惊艳的珠穆朗玛峰影片,但却从一个鲜为人知的角度——当地人的视角——呈现。一位尼泊尔登山者踏上了一段危险的旅程,以取悦那些要求人们敬畏自然的山神。登山爱好者们在珠穆朗玛峰脚下排起长队,渴望攀登这座充满神话色彩的山峰——并向世人讲述他们的壮举。也正因如此,珠穆朗玛峰变成了一座墓地,埋葬着无数遇难登山者的冰冷遗骸。但这座世界最高峰的故事还有另一个鲜为人知的侧面:当地人的视角。在尼泊尔和西藏之间的这座巍峨山峰周围,生活着一群拥有独特世界观的当地居民,他们的世界观与西方游客的视角截然不同。这是一个山神的世界,人们敬畏自然。为了安抚愤怒的山神,尼泊尔著名登山家、民族英雄明玛·齐里·夏尔巴冒着生命危险,最后一次重返珠穆朗玛峰,取回一具遗体,以平息这座圣山的怒火。这次任务令人肾上腺素飙升,足以让任何恐高症患者感到恐惧——但与其他任何一部以这座壮丽山峰为背景的影片相比,这部电影的视角更加独特、深刻、丰富。

2632
2025
珠峰黑暗
主演:Nim Tsiri Sherpa,Pem Futi Sherpa,Thundu Sherpa
萨乐美
463
10.0
已完结
萨乐美
10.0
更新时间:2025年12月12日
主演:艾拉·娜兹莫娃
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
5890
1923
萨乐美
主演:艾拉·娜兹莫娃
评论区
首页
TV动画
剧场版
电影
连续剧
短剧