绝密档案

简介：

　　美国退伍军人迪恩·亨特(丹尼尔·约瑟夫饰)还在为妻子的去世而悲痛不已。他现在是一名卡车司机，以养活年幼的女儿伊登(崔妮蒂·巴伦苏埃拉饰)，而他的妹夫托德(迈克尔·尤里饰)则负责照顾孩子。一天晚上，托德家的暴力入侵导致他的伴侣罗斯(瑞安·斯潘饰)昏迷和伊登被绑架。顽强的侦探菲尼(丝柯·泰勒-考普顿饰)被分配到这个案件，并开始追查线索。但随着时间的流逝，没有嫌疑人被拘留，迪恩决定自己动手。他跟踪调查了这座城市的犯罪内幕，很快就发现自己正在接近罪犯。两项调查交织在一起，他将赌上自己的性命，与犯罪分子争分夺秒，救回女儿，匡扶正义。

简介：

1993 年，北卡罗来纳州正经历一场史无前例的干旱。患有自闭症的少年卡尔对天气十分着迷，他预测附近很快就会有一场风暴。他的妹妹萨姆制定了一个计划来帮助他追逐风暴，她偷走了母亲的冰淇淋车，开始了一场关于家庭、宽恕和追寻梦想的公路之旅。

简介：

解放战争后复救建设时期，老战友太振和明姬在一个轧钢厂相逢，他们在恢复生产重整被敌人破坏的轧钢厂的火热战斗中，互助互爱，胜利地完成了修复轧钢器的任务，最终成为令人羡慕的一对恋人。

简介：

《加蒂列罗（枪手）》是一部紧张刺激的实时惊悚片。它通过一个连续镜头，讲述了一个关于悲剧与救赎的原始故事。影片在阿根廷布宜诺斯艾利斯郊区的马谢尔岛拍摄。

简介：查理是一个失意的街头提琴手，他的琴声唤起了一个可怜的姑娘对生活的希望。就在这时查理得知这个姑娘有一个富有的家庭，查理明白自己和姑娘的身份相差悬殊，就决定独自离开。可突然，姑娘又出现在了他的面前……

简介：

《七品神探》故事讲述了明英宗正统年间府衙推官赵铭久不畏权贵，秉公执法，屡破奇案的历程。全片通过一系列看似零散的小故事把赵铭久武艺高强，刚正不阿，神勇机智，忠于职守的形象特点展现在观众面前。

简介：英与桦乃一对孪生姐妹，因自幼父母不和而分开，桦随母赴日，母嫁日富商。英随父在港长大，父好赌好毒，终自杀。英沦为应召女郎。桦与夫回港度假，顺道找寻失散的姐姐，英因自卑避见，英目击情夫被杀而被万邦追杀，终走投无路。桦与夫往凭吊英，张帮办告之英之死可能另有内情，桦暂以姐之身份出现，以协助调查。另一方面，万邦派人查知英下落，并付巨额掩口费收买桦，但桦与张决定再进一步逼万帮中计……

简介：

玩世不恭的少年成天与死党鬼混，对小镇的畜牧工作毫不在意，青春躁动的欲望，也让他无心照顾年幼妹妹。突如其来的车祸意外，男孩被迫一夜长大扛起所有家计。一事无成的他，只好重操父亲的旧业，试图靠古早技法制作干酪，夺得比赛奖金。好友为他卖车赎回机具，他勾搭农场少女偷取顶级牛奶，没想到一勾竟真的动了心。友情、爱情与现实三重夹击，他能否安然度过这场人生窘局？

简介：

朱利安·阿桑奇的故事，从程序员到罪犯的历程，展示了他成为强大的美国政府的目标后，为争取公正审判和追求真相而进行的斗争。

简介：An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada's. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.

简介：

天才程序员基里尔为公司完成重要项目，成功为公司制作出虚拟的世界。但就在他准备收获名誉与金钱时，现实世界却突然面目全非。面对陌生的一切，他必须找到办法回到自己所熟知的现实之中。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor