甜心巧克力

简介：在上海大贸商业公司任职的李宗敏因公不幸遇难。公司念旧拨款抚恤李妻高礼芬。礼芬对抚恤金的处理很为难。在感情上她认为这是亡夫的卖命钱，应该用来做些有意义的事业，所以她把一些钱捐给丈夫生前挚友刘校长，购置校址作为纪念。她又考虑到在上海这个地方没有钱就无法生存，物价飞涨，妹妹丽芬又是一个不能自立的学生，这使她不能不为活着的人打算，最后决定把余下的一些钱托丈夫的另一个朋友、某商行的经历俞子昂代为经营。俞因投机失败商行亏损甚巨，急需敛财弥补，为了挪用这笔钱作为经营资本，他同自己的妻子离了婚，而和礼芬结合。刘校长赶来劝告礼芬不要企图依靠一个有钱的男人去求得一生的平安，生活往往会事与愿违，并劝告礼芬要把生命寄托在有意义的工作上。但礼芬害怕在物价飞涨的社会里没有钱就活不下去，只想依靠一个有钱的男人，甘当“弱者”。子昂与礼芬结婚后，礼芬贪图享乐，经常吃喝玩乐不在家。

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这是一部以生与死为题材的故事，描绘了 17 岁时感觉心脏要从胸口跳出的经历。阿格尼丝的姐姐朱莉娅拥有阿格尼丝梦寐以求的一切：她是学校里最酷的人，是每个派对的中心人物，而且她正在和诺埃尔约会。要是阿格尼丝也能像她这般就好了。当最糟糕的事情发生时，阿格尼丝的世界被颠覆了，她被迫重塑自我。突然间，她即将获得自己想要的一切，但代价是什么？

简介：暂无简介

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一对濒临分手的情侣同时与两位性感的外来者发生了婚外情。正当他们准备坦白秘密、分道扬镳时，生活却另有安排。濒临分手的一对恋人各自与火辣的新欢出轨，但正当他们打算摊牌的时候，意外却发生了

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《Knut: The Viking Emperor》以11世纪丹麦国王克努特大帝的传奇一生为主线，展现了他如何通过军事征服与政治联姻，建立横跨北海的帝国。影片开篇，年轻的克努特在父亲斯文一世去世后，被迫流亡英格兰，却在逆境中崛起。他利用维京战士的勇猛与基督教信仰的包容，逐步统一北欧。导演以冷峻的色调和宏大的战争场面，还原了中世纪早期的粗粝质感。其中，4K修复版带来的沉浸式视觉冲击，让每一帧冰雪覆盖的战场、长船破浪的瞬间都仿佛触手可及，历史厚重感扑面而来。

简介：陈少因烂睹，而欠下满身赌债，但仍死性不改，到被追债者迫到走投无路时，始知后果严重。迫不得已之下，唯有远赴泰国，暂避风头。陈在泰国遇鬼王德，鬼王德教他“请鬼”，使陈风生水起。但因陈爱上模特儿而疏於拜祭，触怒冤鬼，在千钧一发的时候，鬼王德出现将鬼收服。

简介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

简介：这次原创故事的时间线定在前作结局后的一年，因此在前作中因病去世的亚希子丈夫、竹野内丰饰演的宫本良一也将再次出现。亚希子再就业的一年后，时间是2019年的秋天，亚希子在大阪，美雪在东京，两人分居两地。亚希子在大型咨询公司中依然精明强干，表现出色，丝毫看不出有10年的空窗期。而成为大学生的美雪仍旧是惹人喜爱、我行我素。她的每天都在社团或是打工中度过，十分充实。另外，美雪和发小大树(井之胁海)的关系依旧是老样子。然而某天，亚希子突然回到东京，久违地来到了美雪住的公寓，宣称自己被公司炒了鱿鱼。没想到的是，亚希子在美雪家中碰见了美雪的老板，Bakery麦田的店长(佐藤健)。他只围着一条浴巾，刚从浴室走出来。更让人吃惊的是，麦田怀里还抱着一个婴儿。就在此时美雪也回来了。莫非这个婴儿是美雪和麦田的孩子! 完全摸不着头脑的亚希子陷入了混乱，大喊道“这到底是怎么一回事!

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一位悲痛欲绝的单身母亲在失去自己的儿子（因癌症去世）后，绑架了另一个孩子，并与他成为朋友，以此来代替自己的儿子。

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一位患有神经性抽动症的中年男子和一位口吃的年轻妻子为了重新开始而移民。多年后，他们建立起新的生活，但一个关于孩子的毁灭性发现迫使他们面对一个难以想象的真相。

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故事发生在一处专为年轻歌手、舞者及演员举办的夏令营的地方，主办人伯特亨利曾是百老汇当红作曲家，却在遭遇连串挫折后隐退，如今遇上了这群天真好动的年轻人，令他重新萌发振作念头，准备好好训练他们正式登上舞台。

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《在路上》讲述了叛逆的年轻漂泊者维内诺的故事，他常在路边小餐馆附近与卡车司机过夜。急需搭车时，他遇到了性格孤僻、作风强硬的司机穆涅科。维内诺说服穆涅科带他深入墨西哥北部那个充斥着极端男性气概的长途货运世界。随着两人一同上路，一种意想不到的亲密感在他们之间逐渐滋生，而维内诺过往的阴影却再度浮现，将两人的生命都置于危险之中。