717
2.0

大河

导演:
高峰
主演:
李乃文,伊斯拉木江·瓦力斯,奥丽娅
别名:
未知
2.0
717人评分
普通话
语言
2009-05-05
上映时间
未知
片长
简介:
解放初期,怀揣着建设祖国大西北梦想的水利学校毕业生陈大河与方文刚一同来到塔里木河,为了解决塔里木河流域长久以来“桃花水”给当地群众带来的灾害问题,陈大河与方文刚与当地的年轻水利工作者吐尔逊一起,在英苏村阿布杜拉老人和乡亲们的帮助下,战天斗地共同修建了维系当地百姓生产生活命脉的水利工程---大海子水库。在水库修建的过程中他们结识了苏联专家安东诺夫和翻译冬妮娅,并建立了深厚的友谊和感情。中苏关系变化,苏联撤走所有在华人员时,留下了一套伪造的塔里木河流域水文调查资料。面对分离,冬妮娅毅然选择留下,选择了陈大河,并把安东诺夫给她的真实资料交还给陈大河。冬妮娅的痴情与坚强,感动了陈大河。但这也因此让整个大坝工程背上了“修正主义”的罪名。危难中方文刚挺身而出主动承担责任,却被迫离开了塔里木河水利建设工地,为了能继续施工陈大河立下生死状,用自己的性命为大坝的安全担保……洪水来了,陈大河和冬妮亚带着出生不久的小南疆站在了新修的大坝上,吐尔逊和乡亲们一起站在了陈大河的身后……塔里木河第一次臣服于陈大河等建设者的脚下。为了彻底治理水患,陈大河与冬妮娅进山寻找新的山区水库时遭遇泥石流冬尼娅不幸遇难。二十年后,水库大坝泥沙淤积,塔河主干道断流,下游的胡杨和生态急剧恶化。陈大河开始意识到这座用青春和生命修筑的大坝,将在历史的车轮中慢慢的褪色,他给儿子陈南疆留下了记录塔里木河流域完整的水文勘测文稿后溘然长逝……陈南疆完成学业回到塔河,父亲用生命筑起的大坝因阻断了疏水主河道将被拆除,他站在父母的墓前请求他们的原谅和理解,这一举动遭到养父吐尔逊和乡亲们的强烈反对。因为,他们已经把这座大坝看作陈大河与冬妮娅的化身,陈南疆与养父吐尔逊以及妹妹贝尔娜的矛盾也越演越烈……在父亲测绘文稿的指引下,陈南疆与妹妹贝尔娜一起重走塔里木河古河道,寻找着父亲当年留下的一个个河道拐点,在经历了种种磨难后,兄妹俩终于被父辈们当年治理塔里木河流域的激情岁月所感动并相互和解。2001年,党中央作出西部大开发的重大决策,国务院决定投资107个亿,对塔里木河流域实施综合治理。大海子水库现场,两代水利人共同按下了爆破的按钮,往日心中神圣的大坝顷刻间瓦解,塔里木河河水汹涌向下游奔去,滋润着干涸的土地,孕育着新的生命,也渐渐漫过埋葬陈大河与冬妮娅的墓地,陈南疆等新一代水利人用另一种方式延续了陈大河与冬妮娅,以及整个塔里木河流域的绿色生命,塔里木河水带着两代水利人的热血与梦想向着更加宽广的前方流去……
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主演:加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
简介:Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
382
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